Operation Dinner Out,一次意味深长的,惊世骇俗的普通任务[原]

时间:2022-10-05 20:24:10

Operation Dinner Out,一次意味深长的,惊世骇俗的普通任务[原]

Operation Dinner Out,一次意味深长的,惊世骇俗的普通任务[原]
Nathan要退休了。今天是他最后一天上班。警卫提醒他今晚
离开时得上交他的证件。他的*情报局高级情报员的证件

是的,Nathan是一个高级情报员,所以他不需要亲自干“脏活”。
他招募“资源”,利用“资源”,有些“资源”成为
新的情报员,比如Bishop.

噢,说起Bishop,他现在正被关押在中国苏州的一个*。他昨天被捕了,罪名是间谍罪。
今天将有个听证会,评估
Bishop的听证会,Nathan必须参加。
因为Bishop是Nathan的
“资源”,至少曾经是。

*情报局想知道,Bishop在中国干什么?他到底为什么被捕?美国*要不要出面救他?
噢,忘了说了,北京声称将
在24小时后处决Bishop。时间看起来有点紧...
而且,此时此
刻,华盛顿正在与北京进行贸易谈判,这个间谍事件给谈判蒙上了阴影。

Nathan觉得自己某种程度上被听证会软禁和审讯着。因为听证会不相信Nathan会和盘托出Bishop的底细。
他们一头把
Nathan禁锢在会议室,一头却派人去搜查他的办公室。
幸亏
他那个尽忠职守的女秘书Jennip在与会议室的直线电话中隐晦地通风报信。

Nathan确实决定隐瞒一些真相。因为他知道,一旦听证会知道Bishop是因为营救Elizabeth而被捕,
必然会选择放弃
Bishop.

说到Bishop,Nathan觉得他倒是个讨人喜欢的小伙子。只是有点固执和犯傻。
这在陆战队倒算不上什么缺点,陆战队需
要固执的*,
所以Bishop在越南成为了一个从不失手的王
牌狙击手。

Nathan在越南领教了Bishop的身手,那是一种天生的机警和冷静。
是块情报员的好苗子。在西德,Nathan招募了Bishop
。他教他观察、套瓷、渗透、伪装,他学得很快。
除了他那
多余的正义感偶尔会给情报工作带来额外的麻烦和精神困扰
Nathan喜欢这个小伙子,他不希望他就这么死在中国人手
里。

听证会只花了半天就基本作出了决定。
虽然Nathan一直在顾
左右而言他地回溯Bishop的履历,却有意隐瞒Bishop在中国的真正目的,
但是听证会已经不打算让*出面交涉放人了

因为承认Bishop是美国间谍, 将使华盛顿在当下与北京的
贸易谈判中陷入被动。

Nathan有点失落。他回到办公室,收拾了自己的东西,跟秘书Jennip道别。
他想,也许在临退休的这最后一天,他能做
的也就只有这么多了。
他拎着他的公文包,拿着他准备上交
的证件,走向大楼出口。

一楼大厅的电视机在插播着Bishop被捕和即将被处决的新闻
男主播作出一副沉痛的样子。Nathan继续排着队准备出门

男主播再次出现在屏幕中。他更正说,根据华府透露的消息
中国所谓间谍事件纯属造谣,真正意图是干扰此次贸易谈
判。

Nathan心想,这帮人效率还真高。Bishop算是从此从人间消失了。
可是他还能做什么呢?他甚至不能在这栋大楼里继续
待下去了,
他的身份将在出门的那一刻注销。除非...

除非听证会还能持续下去...那他将继续留下来...留下来做点什么...做点什么...
一个经验丰富的情报员,在世界上最
庞大完善高效的情报机构里,做点什么...

Nathan返身往回走,他找到听证会的一位官员。
他说他还有
一些关于Bishop的情况可以反映,关于Elizabeth这个女人...

Elizabeth是谁?Elizabeth是“资源”。她是贝鲁特的国际人道主义救援人员,
她能接近“目标”的私人医生。只要CIA
接近医生,就能想办法用最擅长的手段
——用毒药杀死“目
标”。噢,也许有人会问为什么不干脆用枪?或者用精确制导炸弹?
那当然省事得多。但是不行,美国*不能卷进暗
杀事件。
即使是利用黎巴嫩反对派的手杀死“目标”也是下
策,因为这将引发无休止的报复活动。
CIA要让“目标”“正
常死亡”。所以,Elizabeth很重要。Elizabeth是“资源”

对,“资源”,认识到这点很重要。“资源”与“情报员”是不同的。
“资源”是可以在利用完之后便抛弃的东西。说
到那次任务,CIA的毒杀计划最终流产了。
Nathan不得不利用
反对派来粗暴地执行这次暗杀。
在那次自杀袭击中,那辆皮
卡装载的炸药似乎有点过量,几乎把半个贝鲁特都夷平了。

CIA除掉了“目标”,而Elizabeth自然也就没用了。她只是“资源”而已。
Nathan把她交给了*——她是中国的
通缉犯。
在被英国驱逐之前,Elizabeth曾在一个*组织活
动,
她炸毁了中国驻英办事处的一栋大楼,炸死了中国总理
的侄子。
Nathan用这个被祖国抛弃的英国女人交换了一名在
押的美国情报员。

Nathan在训练Bishop的时候就说过,千万不要怜悯“资源”。这句话看来并没有奏效。
Bishop私自潜入中国,营救他爱
上的这个女人。这是一个彻头彻尾的个人行为。

这些情况当然不会改变听证会的决定。但是Nathan并不在乎
他只想让听证会多开一天,哪怕是开到明天早上,好让他
在情报局里多待几个小时,
这样他就能利用晚上下班的时间
,制定一个武装行动计划,
伪造局长签字后传真给太平洋上
的海军特种作战司令部;

根据计划,特种作战司令部将从第七舰队调遣2架休伊直升机,满载全副武装的海豹突击队员,
直扑苏州境内*,使用
各种直接火力强行从*救出Bishop和Elizabeth;

在这几个小时里,他将通知他的经纪人将股票和国库券全部变现,
然后将这笔合计28万2千美元的私人经费通过香港的中
间人买通苏州的人,
以配合特种部队的行动时间给苏州来一
次半小时的大停电。
这笔交易的谈判并不轻松,Nathan从50
万砍到30万,最后以全部28万2千美元成交。
中间人说,
Nathan你何必呢?又不是你出钱。

第二天早上,听证会继续进行。Nathan*解释自己为何盗用苏州地图和转汇私人资金。
只有经验丰富的资深情报员,
才能像Nathan那样以如此逼真的尴尬表情和如此机智的借口谎称自己只是假公济私地想为自己退休生活谋点福利。
当预
定武装行动计划的时间到来,前线司令官根据指示将请战电话接到听证会会议室的时候,
Nathan当着众多高官的面,以
对太太说话的口吻隐晦地说到:
Operation Dinner Out is a
go!
官员们对这种军事化的“夫妻对话”面面相觑,但也仅此
而已。

一个已经算是退休的老情报员,就这样仅凭一己之力,瞒着整个美国*,
以美国的名义,向中国发起了一次堪称完美
的特种作战。
当*情报局接到“中国出事”的消息时,
Nathan早已驾着他的保时捷,
潇洒地驶出了中情局的停车场

美国*将怎么收拾这个烂摊子,Nathan已经不想过问—
—他已经退休了。

Spy Game

A Film Review by James Berardinelli

United States, 2001
U.S. Release Date:
11/21/01 (wide)
Running Length: 2:05
MPAA Classification: R (Violence, profanity)
Theatrical Aspect Ratio: 2.35:1
Seen at: Ritz East, Philadelphia

Cast: Robert Redford, Brad Pitt, Catherine McCormack, Stephen Dillane, Marianne Jean-Baptiste, Larry Bryggman
Director: Tony Scott
Producers: Marc Abraham, Douglas Wick
Screenplay: Michael Frost Beckner and David Arata
Cinematography: Daniel Mindel
Music: Harry Gregson-Williams
U.S. Distributor: Universal Pictures

Spy Game is an espionage thriller for viewers afflicted with Attention Deficit Syndrome. That/'s not to say it/'s a bad movie, but the frenzied approach doesn/'t allow much opportunity to absorb details. Despite the length, which exceeds two hours by a few minutes, Spy Game doesn/'t feel bloated or protracted. In fact, given the amount of ground covered by the storyline, this could easily have been a much longer endeavor. A respected author like Len Deighton might have gotten a trilogy out of the same material.

The frantic pace is both a boon and a detriment. On the one hand, there/'s no chance of boredom. On the other hand, there/'s not much in the way of subtlety or character development beyond the obvious. Perhaps surprisingly, there isn/'t much /"action/", either, at least not in the traditional sense. There are some shoot-outs and an explosion or two, but, as with most spy stories, Spy Game concentrates more on behind-the-scenes machinations and double-crosses than on car chases and fight scenes. So, in order to maintain the illusion of action, director Tony Scott (Crimson Tide, Enemy of the State) goes into music video mode, pumping up the film/'s visual look by using lots of quick cuts and making sure that hardly a moment goes by without Harry Gregson-Williams/' score threatening to drown out any dialogue.

Spy Game centers on the mentor/prot間?relationship between Nathan Muir (Robert Redford), a jaded CIA agent on the verge of retirement, and Tom Bishop (Brad Pitt), a young idealist. On his latest mission, in Beijing, Bishop has been captured by the *. With only 24 hours until his execution, the CIA is attempting to distance themselves from Bishop so that this international incident will not endanger trade talks. Muir, on the other hand, is appalled by the idea of hanging Bishop out to dry, and covertly develops a plan to affect a rescue. Meanwhile, Muir must relate his entire history with Bishop - how they met, why the older man recruited the younger one, and which missions they worked on together - in front of a room full of CIA bigwigs.

By using flashbacks, Spy Game covers four time periods. The film/'s present-day is 1991, when a new world order is developing from the ashes of the cold war. Michael Frost Beckner and David Arata/'s script also takes us back to the Vietnam war, where Muir and Bishop first meet; to /'70s Berlin, where Bishop is assigned to bring an informant through Checkpoint Charlie; and to 1985 Beirut, where the CIA recruits terrorists to eliminate other terrorists. The manner in which the flashbacks are grafted into the main story is a little clumsy, but it succeeds in filling in the gaps and illuminating why Muir is determined to save Bishop.

The role of Nathan Muir echoes Robert Redford/'s work in 1975/'s Three Days of the Condor. Muir is as unprincipled as any long-standing CIA operative - a user of people who is cynical and world-weary. However, perhaps because he/'s being played by Redford, there/'s also a touch of nobility to him. His career may have been founded on treating human beings like disposable commodities, but, in the end, he sacrifices everything for a shot at redemption. Pitt plays the young hotshot, a part he/'s comfortable in, although one he might have fit into better a few years ago. (Spy Game doesn/'t do a good job aging its characters - Muir and Bishop don/'t look any different in 1975 than they do in 1991.) Catherine McCormack has a small-but-crucial role as an international aid worker with a checkered past. And Marianne Jean-Baptiste portrays Muir/'s faithful secretary, Gladys.

One of the more intriguing sequences in the film (at least in this post-September 11 world) focuses on CIA involvement in a suicide bombing that is designed to eliminate a top terrorist. This aspect of Spy Game raises the question of how far the CIA is willing to go to achieve certain goals. It/'s the old question of whether the ends justify the means - something the entire globe is currently wrestling with. The movie doesn/'t spend a lot of time sifting through the rubble of what some would view as a morally dubious position, but what was intended merely as a plot element when the screenplay was written now takes on greater meaning.

Spy Game does not offer the attention to detail evident in the best spy thrillers. There/'s also no real build-up in tension, although this is principally a result of Scott/'s style and the screenplay/'s approach (it/'s difficult to develop suspense when flashbacks continually interrupt the main narrative thread). Suspension of disbelief is important, since there are several poorly concealed contrivances necessary to move events forward, but at least we/'re not saddled with a litany of staple action scenes. Overall, Spy Game is an engrossing, if flawed, endeavor - the kind of movie that represents an evening/'s solid diversion.

© 2001 James Berardinelli